This qualitative research study with a content analysis approach aimed to explore families’ experiences of an organ donation request after brain death. Data were collected through 38 unstructured and in-depth interviews with 14 consenting families and 12 who declined to donate organs. A purposeful sampling process began in October 2009 and ended in October 2010. Data analysis reached 10 categories and two major themes were listed as: 1) serenity in eternal freedom; and 2) resentful grief. The central themes were peace (...) and honor versus doubt and regret. The findings indicated that the families faced with an organ donation request of a brain-dead loved one experienced a lasting effect long after the patient's demise regardless of their decision to donate or refusal to donate. In conclusion, this study highlights the importance of family support and follow-up in an efficient healthcare system aimed at developing trust with the families and providing comfort during and after the final decision. (shrink)

Voluntary actions and their distal effects are intimately related in conscious awareness. When an expected effect follows a voluntary action, the experience of the interval between these events is compressed in time, a phenomenon known as ‘intentional binding’ . Current accounts of IB suggest that it serves to reinforce associations between our goals and our intention to attain these goals via action, and that IB only occurs for self-generated actions. We used a novel approach to study IB in the context (...) of shared intentions and actions. Pairs of participants judged the time of occurrence of actions and events attributed either to oneself or to another agent. We found that IB and subjective agency are not mutually predictive when an action can be attributed to only one of two ‘co-intending’ agents. Our results pose a complication for the prevailing view that IB and subjective agency reflect a common mechanism. (shrink)

Arab countries; intellectual life; congresses.

The pandemic has adversely impacted children. The vaccine roll-out to children aged 12 - 17 years is important to curb the spread of the virus and allow children to revert to some form of normality. Children’s rights to equality, education, health and food have been impeded during the pandemic. However, there is a persistent hesitancy towards the vaccine roll-out. This is apparent from a case before the High Court in Pretoria, in the pending matter between the African Christian Democratic Party (...) and others v The Minister of the National Department of Health: Dr M Phaahla and Others. SECTION27’s intervention as amicus curiae highlights the importance of vaccines, and provides evidence to illustrate the adverse impact of the pandemic on learners’ rights to equality, education, food and health. Further, the evidence illustrates the inequalities that exist among learners. (shrink)

On ethics with special reference to Sufism.

Objectives: To explore how subjects in a placebo-controlled vitamin A supplementation trial among Ghanaian women aged 15–45 years perceive the trial and whether they know that not all trial capsules are the same, and to identify factors associated with this knowledge.Methods: 60 semistructured interviews and 12 focus groups were conducted to explore subjects’ perceptions of the trial. Steps were taken to address areas of low comprehension, including retraining fieldworkers. 1971 trial subjects were randomly selected for a survey measuring their knowledge (...) that not all trial capsules are the same. The subjects’ fieldworkers were also interviewed about their characteristics and trial knowledge. Factors associated with knowledge were explored using multi-level modeling.Results: Although subjects knew they were taking part in research, most thought they were receiving an active and beneficial medication. Variables associated with knowledge were education and district of residence. Radio broadcasts benefited those with some schooling. Fieldworkers’ characteristics were not associated with subjects’ knowledge.Conclusions: Research and debate on new or improved consent procedures are urgently required, particularly for subjects with little education. (shrink)

How are the properties of computer programs proved? We discuss three approaches in this article: inductive invariants, functional semantics, and explicit semantics. Because the first approach has received by far the most attention, it has produced the most impressive results to date. However, the field is now moving away from the inductive invariant approach.

We differ mainly, I think, in that Hyman is willing to indulge his taste for subtlety more extensively than I am. He seems comfortable with post-modern paradoxes like "the tendency of a literary work to refuse to give us a moral direction is itself a value" and believes that this refusal is properly based on the writer's incapacity to "make pronouncements about [the] world." It could be I mistake him here, and he means only to reject those solutions toutes faites (...) that are part of the didactic mode, in which case I agree once more. But I feel the thrust of his argument is to deny the existence of the first of the two abysses, frivolity and propaganda, into which, according to Camus, it is the task of the writer to keep from falling. To seek a strengthening of moral commitment in a literature that operates at "a level of awareness deeper than our moral and political judgments" is certainly to avoid exposure to propaganda; but it is also something of a logical—and psychological—contradiction in terms and therefore doomed to irrelevance or, in Camus' terms, frivolity. One cannot answer for individual variations on common aesthetic experiences, of course; there exist men and women and literary characters who find strength to take a moral stand in the contemplation of a Chinese jar or in what I called harpsichord exercises—the term includes, after all, Das wohltemperiertes Klavier—but such experiences, for all their abstract beauty, lack a social basis and a social relevance. The mimetic imperative is not so easily bypassed. Strother Purdy, professor of English at Marquette University, is the author of The Hole in the Fabric: Science, Contemporary Literature, and Henry James. He has also contributed "Stalingrad and My Lai: A Literary-Political Speculation" to Critical Inquiry. (shrink)

What I refer to is how our thought in inventing, designing, modifying, and using machines carries over into acts we do not consciously associate with them—like writing or reading poetry. An airplane in flight may be “pure poetry,” or a Ferrari “a poem in steel”; it intrigues me to consider that beneath such object comparisons an object-of-thought connection may be made. Or in other words, there may be really something to a hackneyed compliment like “poem in steel.” My preference for (...) thought form over object form makes me less interested in machines that we can see than in those that we can’t, and it makes me direct my inquiry along two lines, concerning two questions about invisibility. The first involves the history of technology: How is it that machines “disappear”—become less visible, impinge less and less upon popular consciousness? The effect cannot be imputed entirely to familiarity. The second involves the history of literature: If machines have disappeared, are there “disappeared”—or “invisible”—machines in literature? It is reasonably clear that we go to considerable lengths to hide the machines that surround us and that we choose, or our artists choose, insofar as such choice can be located, to restrict the appearance of machines in art.3 Commonly their restricted appearance in art is understood as a kind of resistance to some form of machine takeover, while their concealment has only uncommonly received analysis and is not generally discussed in context with the matter of artistic representation. But we do accept, at least in theory, the idea that style of living and style in literature are connected. If the machine penetrates our style of living, then—and this is the end of my inquiry—these invisibilities are of interest to literary criticism, for they have something to do with the way literature is written, with whether or not, that is, writers choose to describe machines, use them as characters, or give them any role at all to play in surface structure. Since the artist often works to reveal what his society works to conceal and since the postmodern period has so far been one of crisis in the relations between society and technology, we may expect to find in postmodern fiction, or in writing to come, some greater revelation or simple exposure of the workings, than we could have seen before. 3. I use “restrict” in a statistical sense, for since the beginning of the Industrial Revolution there have been artists to celebrate the machine; today’s hyperrealist movement offers contemporary examples. These artists—Tom Blackwell, Ron Kleemann, Ralph Goings, and others—work a transformation like that of Andy Warhol with the pop object. They present not so much a celebration as an effort to turn looking into seeing, here directed at automobiles in particular, so much a part of everyday life as to have become indistinguishable from one another and as a species from the other parts of the semiurban landscape—the mailbox, the front lawn, the visiting relatives staring into the camera. Strother B. Purdy is the author of The Hole in the Fabric: Science, Contemporary Literature, and Henry James. His previous contributions to Critical Inquiry are “Stalingrad and My Lai: A Literary-Political Speculation” and “Reply to Lawrence W. Hyman. (shrink)